Professor Emery Schubert

Professor

PhD

School of the Arts & Media

Contact

+61 2 9385 6808
101, Level 1 Robert Webster
Fields: Music, Psychology
Tags: Expanding Knowledge in Psychology and Cognitive Sciences, The performing arts (incl. music, theatre and danc

Publications

    Books

    • Schubert E; McPherson GE; Renwick JM; Stevens C; Burnham DK, (eds.), 2002, Proceedings of the 7th International Conference on Music Perception and Cognition, Original

    Book Chapters

    • De Poli G;Murari M;Canazza S;Rodá A;Schubert E, 2017, 'Beyond emotion: Multi-sensory responses to musical expression', in The Routledge Companion to Embodied Music Interaction, pp. 78 - 86
    • Schubert E, 2017, 'Musical identity and individual differences in empathy', in MacDonald R; Hargreaves, David J.; Dorothy Miell (ed.), Handbook of Musical Identities, pp. 322 - 342
    • Schubert E;Pearce M, 2016, 'A new look at musical expectancy: The veridical versus the general in the mental organization of music.', in Kronland-Martinet R; Ystad S; Aramaki M (ed.), Music, Mind, and Embodiment 11th International Symposium, CMMR 2015, Plymouth, UK, June 16-19, 2015, Revised Selected Papers, Springer, pp. 358 - 371
    • Schubert E;McPherson GE, 2015, 'Underlying mechanisms and processes in the development of emotion perception in music', in McPherson GE (ed.), The Child as Musician A Handbook of Musical Development, Oxford University Press, Oxford, pp. 221 - 243
    • Stevens CJ;Dean RT;Vincs K;Schubert E, 2014, 'In the Heat of the Moment: Audience Real-time Response to Music and Dance Performance', in Burland K; Pitts S (ed.), COUGHING AND CLAPPING: INVESTIGATING AUDIENCE EXPERIENCE, edn. SEMPRE Studies in the Psychology of Music, ROUTLEDGE, pp. 69 - 87, http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000402889400008&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a
    • Stevens CJ;Dean RT;Vincs K;Schubert E, 2014, 'ln the Heat of the Moment: Audience Real-time Response to Music and Dance Performance', in Burland K; Pitts S (ed.), Coughing and Clapping: Investigating Audience Experience, pp. 69 - 88
    • Schubert E;Fabian D, 2014, 'A taxonomy of listeners' judgments of expressiveness in music performance', in Fabian D; Timmers R; Schubert E (ed.), Expressiveness in Music Performance, Oxford University Press, pp. 283 - 303
    • Goeble W;Dixon S;Schubert E, 2014, 'Quantitative methods: Motion analysis, audio analysis, and continuous response techniques', in Fabian D; Timmers R; Schubert E (ed.), Expressiveness in music performance: Empirical approaches across styles and cultures, Oxford University Press, pp. 221 - 239, http://ukcatalogue.oup.com/product/9780199659647.do
    • Schubert E, 2013, 'The role of inhibition and perception in artistic creativity: A cognitive explanation', in Handbook of Research on Creativity, pp. 308 - 322, http://dx.doi.org/10.4337/9780857939814.00033
    • Schubert E;Farrar N;Taylor D;Ferguson S;McPherson GE, 2013, 'The six emotion-face clock as a tool for continuously rating discrete emotional responses to music', in Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics), edn. Lecture Notes in Computer Science, Springer, London, pp. 1 - 18, http://dx.doi.org/10.1007/978-3-642-41248-6_1
    • Schubert E;McPherson GE, 2012, 'The Perception of Emotion in Music', in The Child as Musician: A Handbook of Musical Development, http://dx.doi.org/10.1093/acprof:oso/9780198530329.003.0010
    • Schubert E, 2011, 'Spreading activation and dissociation: A cognitive mechanism for creative processing in music', in Musical Imaginations: Multidisciplinary Perspectives on Creativity, Performance and Perception, http://dx.doi.org/10.1093/acprof:oso/9780199568086.003.0008
    • Schubert E;Fabian DS, 2005, 'An experimental investigation of musical character portrayed by piano versus harpsichord performances of a J. S. Bach excerpt', in Mackinlay E; Collins D; Owens S (ed.), Aesthetics and Experience in Music Performance Proceedings of the Musicological Society of Australia National Workshop Brisbane October 2003, edn. 1, Cambridge Scholars Publishing, Newcastle, UK, pp. 70 - 84
    • Schubert E, 2004, 'D. Cope, Virtual Music: Computer Synthesis of Musical Style', in Psychology of Music, edn. Original, Society for Research in Psychology of Music & Musi, Manchester, England, pp. 118 - 129
    • McPherson GE;Schubert E, 2004, 'Measuring performance enhancement in music', in Williamson A (ed.), Musical Excellence: Strategies and techniques to enhance performance, edn. 1, Oxford University press, Oxford -- New York, pp. 61 - 82
    • Schubert E, 2001, 'Continuous measurement of self-report emotional response to music', in Juslin P; Sloboda J (ed.), Music and Emotion, edn. First, Oxford University Press, Oxford, pp. 393 - 414

    Journal articles

    Conference Papers

    • Schubert E;Pearce M, 2016, 'A new look at musical expectancy: The veridical versus the general in the mental organization of music', in Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics), pp. 358 - 370, http://dx.doi.org/10.1007/978-3-319-46282-0_23
    • Murari M;Rodà A;Da Pos O;Schubert E;Canazza S;De Poli G, 2015, 'Mozart is still blue: A comparison of sensory and verbal scales to describe qualities in music', in Proceedings of the 12th International Conference in Sound and Music Computing, SMC 2015, pp. 351 - 358
    • Schubert E;Pearce M, 2015, 'Veridical Chaining: A case-based memory matching approach to the mental organization of music', in Aramaki M; Kronland-Martinet R; Ystad S (eds.), 11th International Symposium on Computer Music Multidisciplinary Research (CMMR), 11th International Symposium on Computer Music Multidisciplinary Research (CMMR), Plymouth, UK, pp. 428 - 440, presented at 11th International Symposium on Computer Music Multidisciplinary Research (CMMR), Plymouth, UK, 16 - 19 June 2015
    • Schubert E;Rodà A;De Poli G;Canazza S, 2015, 'Toward a musical Turing test for automatic music performance', in Kronland-Martinet R; Ystad S; Aramaki M (eds.), 11th International Symposium on Computer Music Multidisciplinary Research (CMMR), 11th International Symposium on Computer Music Multidisciplinary Research (CMMR), Plymouth, UK, pp. 697 - 704, presented at 11th International Symposium on Computer Music Multidisciplinary Research (CMMR), Plymouth, UK, 16 - 19 June 2015
    • Schubert E, 2014, 'Open ended descriptions of computer assisted interpretations of musical performance: An investigation of individual differences', in Roda A; Canazza S (eds.), Proceedings of the 1st international workshop on computer and robotic Systems for Automatic Music Performance (SAMP14), Sound and Music Computing Group, Department of Information Engineering, University of Padova, Italy, Venice, Italy, presented at Proceedings of the 1st international workshop on computer and robotic Systems for Automatic Music Performance (SAMP14), Venice, Italy, 18 - 19 July 2014, http://samp.dei.unipd.it/proceedings/12_WSa1_07.pdf
    • Schubert E;De Poli G;Roda A;Canazza S, 2014, 'Music systemisers and music empathisers - Do they rate expressiveness of computer generated performances the same?', in Proceedings - 40th International Computer Music Conference, ICMC 2014 and 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos, pp. 223 - 227
    • Bangert D;Fabian D;Schubert E, 2013, 'Doing without thinking? Aspects of musical decision-making revisited', in Williamon A; Goebl W (eds.), Proceedings of the International Symposium on Performance Science, European Association of Conservatoires (AEC), Vienna, pp. 201, presented at International Symposium on Performance Science, Vienna, 28 - 31 August 2013
    • Wolfe J;Schubert E, 2012, 'Stable, quantised pitch in singing and instrumental music: Signals, acoustics and possible origins', in Australian Acoustical Society Conference 2012, Acoustics 2012: Acoustics, Development, and the Environment, pp. 332 - 336
    • Schubert E, 2012, 'Using Affect Valence and Emotion Valence to Understand Musical Experience and Response: The case of hated music.', in Proceedings of the 30th ISME World Conference on Music Education, International Society for Music Education, Thessaloniki, Greece, pp. 317 - 324, presented at International Society for Music Education 30th World Conference on Music Education, Thessaloniki, Greece, 15 - 20 July 2012
    • Garrido S;Schubert E;Kreutz G;Halpern A, 2011, 'Personality and computer music', in Proceedings of the 8th Sound and Music Computing Conference, SMC 2011
    • Schubert E;Ferguson S;Farrar N;McPherson GE, 2011, 'Sonification of Emotion I: Film Music', in The 17th International Conference on Auditory Display (ICAD-2011), International Community for Auditory Display (ICAD), Budapest, Hungary, presented at 17th International Conference on Auditory Display, Budapest, Hungary, 20 - 23 June 2011
    • Cabrera D;Ferguson S;Rizwi F;Schubert E, 2008, 'PsySound3: a program for the analysis of sound recordings', in ACTA Acustica United With Acustica, S Hirzel Verlag, Paris, France, presented at Acoustics 08 Paris, Paris, France, 29 June - 04 July 2008
    • Schubert E;Kreutz G;Mitchell L, 2007, 'Individual differences in cognitive styles of music listening: preferences and musical identity', in Inaugural International Conference on Music Communication Science, ARC Research Network in Human Communication Science (HCSNet), University of New South Wales, presented at 2nd International Conference on Music Communication Science, University of New South Wales, 05 - 07 December 2009
    • Schubert E;de Graaff D, 2007, 'Analysing practice behaviour and cognition: The method of note-playing path', in Inaugural International Conference on Music Communication Science, ARC Research Network in Human Communication Science (HCSNet), University of New South Wales, presented at 2nd International Conference on Music Communication Science, University of New South Wales, 05 - 07 December 2009
    • Peterson J;Schubert E, 2007, 'Music Notation Software: Some Observations on its Effects on Compuser Creativity', in Inaugural International Conference on Music Communication Science, ARC Research Network in Human Communication Science (HCSNet), University of New South Wales, presented at 2nd International Conference on Music Communication Science, University of New South Wales, 05 - 07 December 2009
    • Schubert E;Vincs K;Stevens C, 2007, 'PsySound3: Software for Acoustical and Psychoacoustical Analysis of Sound Recordings', in Solomon R; Solomon J (eds.), 17th Annual Meeting of the International Association for Dance Medicine and Science, 17th Annual Meeting of the International Association for Dance Medicine and Science, Canberra, pp. 230 - 234, presented at 17th Annual Meeting of the International Association for Dance Medicine and Science, Canberra, 25 - 27 October 2007
    • Schubert E, 2007, 'Absolute Expression in Music as Mere Referentialism', in XVIth Conference of the International Society for Research on Emotions 2007 Queensland, XVIth Conference of the International Society for Research on Emotions 2007 Queensland, Sunshine Coast, Queensland, Australia, pp. 21 - 22, presented at XVIth Conference of the International Society for Research on Emotions 2007 Queensland, Sunshine Coast, Queensland, Australia, 11 - 14 July 2007
    • Schubert E;Kreutz G;Mitchell L, 2007, 'Real Time Cognitive Response Recording', in Music and Identity. The German Society for Music Psychology 2007 Annual Conference, Music and Identity. The German Society for Music Psychology 2007 Annual Conference, Justus-Liebig University, Giessen, presented at Music and Identity. The German Society for Music Psychology 2007 Annual Conference, Justus-Liebig University, Giessen, 14 - 16 September 2007
    • Schubert E, 2007, 'The Auditory Mango: A Fundamental Function of Music that Distinguishes it from Language', in Cross I (ed.), Language and Music as Cognitive Systems, Language and Music as Cognitive Systems, University of Cambridge, UK, presented at Language and Music as Cognitive Systems, University of Cambridge, UK, 11 - 13 May 2007
    • Schubert E, 2007, 'Real Time Cognitive Response Recording', in Schubert E; Buckley K; Eliott R; Koboroff B; Chen J; Stevens C (eds.), Inaugural International Conference on Music Communication Science, ARC Research Network in Human Communication Science (HCSNet), University of New South Wales, pp. 139 - 142, presented at 2nd International Conference on Music Communication Science, University of New South Wales, 05 - 07 December 2009
    • Schubert E, 2007, 'Real Time Cognitive Response recording', in Schubert E; Buckley K; Eliott R; Koboroff B; Chen J; Stevens C (eds.), Inaugural International Conference on Music Communication Science, ARC Research Network in Human Communication Science (HCSNet), University of New South Wales, pp. 139 - 142, presented at 2nd International Conference on Music Communication Science, University of New South Wales, 05 - 07 December 2009
    • Schubert E;Stevens C;Glass R;Chen J;Winskel H, 2007, 'Methods for Measuring Audience Reactions', in Schubert E; Buckley K; Eliott R; Koboroff B; Chen J; Stevens C (eds.), Inaugural International Conference on Music Communication Science, ARC Research Network in Human Communication Science (HCSNet), University of New South Wales, pp. 25 - 27, presented at 2nd International Conference on Music Communication Science, University of New South Wales, 05 - 07 December 2009
    • Schubert E, 2007, 'When is an event in a time-series significant?', in Inaugural International Conference on Music Communication Science, ARC Research Network in Human Communication Science (HCSNet), University of New South Wales, presented at 2nd International Conference on Music Communication Science, University of New South Wales, 05 - 07 December 2009
    • Fabian DS;Schubert E, 2006, 'Parameters distinguishing Baroque and Romantic Performance', in Demorest SM; Morrison SJ; Campbell PS (eds.), ICMPC11 -- 11th International Conference of Music Perception and Cognition, Causal Productions, Seattle, Washington USA, pp. 226 - 227, presented at ICMPC11 -- 11th International Conference of Music Perception and Cognition, Seattle, Washington USA, 22 - 26 August 2006
    • Fabian DS;Schubert E, 2006, 'Perception of dotted rhythms: discovery of an auditory illusion', in Velichkovsky B; Chernigovskaya T; Alexandrov Y; Akhapkin D (eds.), 2nd Biennial Conference on Cognitive Science, 2nd Biennial Conference on Cognitive Science, St Petersburg, Russia, pp. 54 - 55, presented at 2nd Biennial Conference on Cognitive Science, St Petersburg, Russia, 09 - 13 June 2006
    • Brosbol J;Schubert E, 2006, 'A computational approach for measuring articulation', in Demorest SM; Morrison SJ; Campbell PS (eds.), ICMPC11 -- 11th International Conference of Music Perception and Cognition, Causal Productions, Seattle, Washington USA, pp. 429 - 430, presented at ICMPC11 -- 11th International Conference of Music Perception and Cognition, Seattle, Washington USA, 22 - 26 August 2006
    • Schubert E;Parncutt R, 2006, 'Perception and psychoacoustics of tuning', in Sonic Connection, Sonic Connection, University of Wollongong, presented at Sonic Connection, University of Wollongong, 10 May 2006
    • Evans P;Schubert E, 2006, 'Quantification of Gabrielsson`s relationships between felt and expressed emotions in music', in Demorest SM; Morrison SJ; Campbell PS (eds.), ICMPC11 -- 11th International Conference of Music Perception and Cognition, Causal Productions, Seattle, Washington USA, pp. 153 - 153, presented at ICMPC11 -- 11th International Conference of Music Perception and Cognition, Seattle, Washington USA, 22 - 26 August 2006
    • Keller P;Schubert E, 2006, 'Cognitive and affective judgments of syncopated themes', in Demorest SM; Morrison SJ; Campbell PS (eds.), ICMPC11 -- 11th International Conference of Music Perception and Cognition, Causal Productions, Seattle, Washington USA, pp. 301 - 302, presented at ICMPC11 -- 11th International Conference of Music Perception and Cognition, Seattle, Washington USA, 22 - 26 August 2006
    • Chan M;Potter JM;Schubert E, 2006, 'Improving algorithmic music composition with machine learning', in Demorest SM; Morrison SJ; Campbell PS (eds.), ICMPC11 -- 11th International Conference of Music Perception and Cognition, Causal Productions, Seattle, Washington USA, pp. 557 - 557, presented at ICMPC11 -- 11th International Conference of Music Perception and Cognition, Seattle, Washington USA, 22 - 26 August 2006
    • Schubert E;Evans P;Rink J, 2006, 'Emotion in real and imagined music: Same or different?', in Demorest SM; Morrison SJ; Campbell PS (eds.), ICMPC11 -- 11th International Conference of Music Perception and Cognition, Causal Productions, Seattle, Washington USA, pp. 270 - 271, presented at ICMPC11 -- 11th International Conference of Music Perception and Cognition, Seattle, Washington USA, 22 - 26 August 2006
    • Schubert E, 2005, 'New Directions in Measuring Emotion in Music', in Royal Australian and New Zealand College of Psychiatrists 40th Congress (RANZCP), RANZCP: 40th Congress Psychiatry in a Changing World, Sydney, pp. 10 - 10, presented at RANZCP: 40th Congress Psychiatry in a Changing World, Sydney, 22 - 26 May 2005
    • Schubert E;Fabian DS, 2005, 'Time shrinking as an explanation of the Kerning Illusion', in Chang S-H; Chong H-J (eds.), 2nd International Conference of Asia-Pacific Society for the Cognitive Science of Music (APSCOM2), 2nd International Conference of Asia-Pacific Society for the Cognitive Science of Music (APSCOM2), Seoul, South Korea, pp. 28 - 28, presented at 2nd International Conference of Asia-Pacific Society for the Cognitive Science of Music (APSCOM2), Seoul, South Korea, 04 - 06 August 2005
    • Schubert E, 2005, 'Emotional dimensions perceived and felt in music: An exploration of responses from different age groups', in Chang S-H; Chong H-J (eds.), 2nd International Conference of Asia-Pacific Society for the Cognitive Science of Music (APSCOM2), 2nd International Conference of Asia-Pacific Society for the Cognitive Science of Music (APSCOM2), Seoul, South Korea, pp. 23 - 27, presented at 2nd International Conference of Asia-Pacific Society for the Cognitive Science of Music (APSCOM2), Seoul, South Korea, 04 - 06 August 2005
    • Schubert E;Stevens C;Healey S;Morris R, 2005, 'Perceptual structure in fine line terrain', in Atherton M (ed.), College of Arts, Education and Social Sciences Inaugural Research Conference: Scholarship and Community, College of Arts, Education and Social Sciences Inaugural Research Conference: Scholarship and Community, University of Western Sydney, pp. 1 - 6, presented at College of Arts, Education and Social Sciences Inaugural Research Conference: Scholarship and Community, University of Western Sydney, 07 - 09 October 2005
    • Schubert E;Wolfe JA;Tarnopolsky A, 2004, 'Spectral centroid and timbre in complex, multiple instrumental textures', in Pennycook B; Costa-Giomi E (eds.), International Conference on Music Perception and Cognition, International Conference on Music Perception and Cognition 2004, Illinois, pp. 654 - 657, presented at International Conference on Music Perception and Cognition 2004, Illinois, 01 - 01 January 2004
    • Fabian DS;Schubert E, 2004, 'Performerd and perceived dotting are different: Implications for performance practice and pedagogy', in Parncutt R; Kessler A; Zimmer F (eds.), CIM04, CIM04, University of Graz, Graz, Austria, pp. 74 - 75, presented at CIM04, University of Graz, Graz, Austria, 15 - 18 April 2004
    • Giblin I;Schubert E, 2003, 'First blood: Do tonal profiles bleed through unprepared modulations?', in AUSTRALIAN JOURNAL OF PSYCHOLOGY, AUSTRALIAN PSYCHOLOGICAL SOC, pp. 79 - 79, http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000186983200337&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a
    • Schubert E;Fabian D, 2003, 'Measuring musical character: A preliminary investigation', in AUSTRALIAN JOURNAL OF PSYCHOLOGY, AUSTRALIAN PSYCHOLOGICAL SOC, pp. 91 - 91, http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000186983200397&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a
    • Schubert E;Giblin IJ, 2003, 'Moving average model of key change in the major key: implications for harmonic analysis', in Slezak PP (ed.), International Conference on Cognitive Science, International Conference on Cognitive Science, Univerisity of New South Wales, Sydney, pp. 160 - 161, presented at International Conference on Cognitive Science, Univerisity of New South Wales, Sydney, 13 - 17 July 2003
    • Schubert E;Fabian DS, 2003, 'Expressiveness in musical performance: comparison of novice and expert-listener perspectives', in ESCOM5: Experience Music in Science, Science in Music, ESCOM5: Experience Music in Science, Science in Music, Hanover, University of Music and Drama, presented at ESCOM5: Experience Music in Science, Science in Music, Hanover, University of Music and Drama, 08 - 13 September 2003
    • Fabian DS;Schubert E, 2003, 'Resolving the historical dotting debate: How empirical investigations may inform performance practice', in ESCOM5: Experience Music in Science, Science in Music, ESCOM5: Experience Music in Science, Science in Music, Hanover, University of Music and Drama, presented at ESCOM5: Experience Music in Science, Science in Music, Hanover, University of Music and Drama, 08 - 13 September 2003
    • Fabian DS;Schubert E, 2002, 'Bach and overdotting: how empirical investigations can inform performance practice.', in Britta M; Melen M (eds.), Musical Creativity, Musical Creativity, University of Liege, presented at Musical Creativity, University of Liege, 05 - 08 April 2002
    • Fabian DS;Schubert E, 2002, 'Listening to Bach: musical performance features and the perception of expressiveness in Baroque music.', in Stevens C; Burnham D; McPherson G; Schubert E; Renwick J (eds.), Proceedings of the 7th International Conference on Music Perception and Cognition, IAEA2002, Tarakazuka, Japan, pp. 463 - 468, presented at IAEA2002, Tarakazuka, Japan, 04 - 08 August 2002
    • Fabian DS;Schubert E, 2002, 'Is there only one way of being expressive in musical performance? - Lessons from listeners` reactions to performance of J. S. Bach`s music.', in Proceedings of the 7th International Conference on Music Perception and Cognition, ICMPC7: 7th International Conference on Music Perception and Cognition, University of New South Wales, presented at ICMPC7: 7th International Conference on Music Perception and Cognition, University of New South Wales, 17 - 21 July 2002
    • Schubert E, 2002, 'Continuous Response Methodology Applied to Expressive Performance', in Stevens C; Burnham D; McPherson G; Schubert E; Renwick J (eds.), Proceedings of the 7th International Conference on Music Perception and Cognition, ICMPC7: 7th International Conference on Music Perception and Cognition, University of New South Wales, presented at ICMPC7: 7th International Conference on Music Perception and Cognition, University of New South Wales, 17 - 21 July 2002
    • Balkwill L;Thompson WF;Schubert E, 2002, 'Rhetoric revisited: cues to affective content in music and speach.', in Stevens C; Burnham D; McPherson G; Schubert E; Renwick J (eds.), Proceedings of the 7th International Conference on Music Perception and Cognition, ICMPC7: 7th International Conference on Music Perception and Cognition, University of New South Wales, presented at ICMPC7: 7th International Conference on Music Perception and Cognition, University of New South Wales, 17 - 21 July 2002
    • Schubert E;Fabian DS, 2000, 'The perception of dotted rhythms and the kerning illusion', in 6th International Conference on Music Perception and Cognition, 6th International Conference on Music Perception and Cognition, presented at 6th International Conference on Music Perception and Cognition, 01 January 2000
    • Fabian DS;Schubert E, 2000, 'The multi-dimensional perception space of baroque music', in 6th International Conference on Music Perception and Cognition, 6th International Conference on Music Perception and Cognition, presented at 6th International Conference on Music Perception and Cognition, 01 January 2000
    • Schubert E, 2000, 'Unresolved issues in continuous response methodology: the case of time series correlations', in 6th International Conference on Music Perception and Cognition, 6th International Conference on Music Perception and Cognition, presented at 6th International Conference on Music Perception and Cognition, 01 January 2000
    • Schubert E;Dunsmuir WT, 1999, 'Regression modelling continuous data in music psychology', in 5th ICMPC, 5th ICMPC, Seoul, South Korea, presented at 5th ICMPC, Seoul, South Korea, 01 August 1998
    • Schubert E, 1998, 'Time series analysis of emotion in music', in 5th International Conference on Music Perception and Cognition, 5th International Conference on Music Perception and Cognition, pp. 257 - 263, presented at 5th International Conference on Music Perception and Cognition, 01 January 1998

    Conference Proceedings (Editor of)

    • Schubert E; Buckley K; Eliott R; Koboroff B; Chen J; Stevens C, (eds.), 2007, 'Inaugural International Conference on Music Communication Science', ARC Research Network in Human Communication Science (HCSNet), University of New South Wales, presented at 2nd International Conference on Music Communication Science, University of New South Wales, 05 - 07 December 2009

    Software / Code

    • Schubert E, 2000, Qmaker (Version 0.03), Video

    Performances (Music, Theatre, Dance)

    • Schubert E, 2005, Graduation, Royal Australian and New Zealand College of Psychiatrists 40th Congress, Graduation, Royal Australian and New Zealand College of Psychiatrists 40th Congress, Publication: Graduation music. Program included: Mozart Magic Flute Overture Handel from Water Music: Alla Hornpipe and Minuet Strauss, J. Radetsky March Australian National Anthem New Zealand National Anthems

    Music Compositions

    • Wolfe JA;Schubert E;Butchatsky K;Solar S, 2003, Speech and Music: Effable and Ineffable. (Plenary Oratorio. International Conference on Cognitive Science, July 13-17, 2003), Sydney, publication category: , http://www.phys.unsw.edu.au/~jw/Debate.pdf

    Creative Works (non-textual)

    • Hugman R;Srinivasan N, 2000, Untitled, at: http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000166602900001&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a

    Edited Books

Teaching and Supervision

2017 Semester 1:
MUSC3102 - Psychology of Music
GENT0508 - Music on My Mind: Psychology and music

2017 Semester 2:
MUSC1603 - Materials and Structures 2
MUSC1604 Western Music: a Panorama

Past courses include:
MUSC2332 - Electronic Music
MUSC2113 - The Function of Music in Film (Dr John Peterson convener)
MUSC5138 - Method and Techniques (no longer available)
University of New South Wales Orchestra

Honours and prizes

Since 2004:

ARC Future Fellow 2012-2016
ARC Austrailan Research Fellow 2004-2008

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